Arabic Cartoons, TV Shows and Films > Arabic Movies With English Subtitles
Start with Yomeddine (Egypt, 2018, 93 minutes). It is Egyptian Arabic, it is mostly two people talking to each other on a road trip, and a United States library card gets it free on Kanopy. The table below gives twelve Arabic films with English subtitles, and tells you which dialect each one is actually spoken in.
That last column is the whole reason this page exists. Every list of Arabic films tells you a film is Egyptian or Lebanese or Saudi and stops there, as though the country were a piece of trivia. For a learner it is the only thing that matters. Watching Moroccan Darija for six months when you are studying Levantine is six months of listening practice in a language you are not learning.
Twelve Arabic films with English subtitles, and the dialect in each
Every film below is subtitled in English, is streaming somewhere reachable from the United States, and was made in a country whose dialect we can name from the production itself. Read the dialect column before the year or the rating. Arabic films use their local speech, so an Egyptian film and a Moroccan film sit about as far apart as Portuguese and Italian, and a subtitle track hides that from you completely.
| Film | Arabic title | Country | Year | Dialect you will hear | Subtitles | Runtime | Where to watch |
|---|---|---|---|---|---|---|---|
| Yomeddine | يوم الدين (Yom al-Din) | Egypt | 2018 | Egyptian, slow and sparse | English | 93 min | Free on Kanopy with a library card; rent from Amazon or Apple |
| Sheikh Jackson | شيخ جاكسون | Egypt | 2017 | Egyptian, urban and modern | English | 93 min | Free with ads on Tubi; free on Kanopy |
| Cairo Station | باب الحديد (Bab al-Hadid) | Egypt | 1958 | Egyptian, 1950s register and 1950s sound | English | 77 min | Criterion Channel; rent from Amazon or Apple |
| Capernaum | كفرناحوم (Kafarnahum) | Lebanon | 2018 | Lebanese street speech, fast | English | 126 min | Prime Video; free with ads on YouTube |
| The Insult | قضية رقم ٢٣ (Qadiyya raqm 23) | Lebanon | 2017 | Lebanese, with Palestinian from the second lead | English | 112 min | Free with ads on Tubi; free on Kanopy |
| Wajib | واجب | Palestine | 2017 | Palestinian, Nazareth | English | 96 min | Rent or buy from Amazon or Fandango at Home |
| 200 Meters | ٢٠٠ متر (200 mitr) | Palestine | 2020 | Palestinian, West Bank | English; some Hebrew and English dialogue | 96 min | Free on Kanopy and Hoopla; Film Movement Plus |
| Farha | فرحة | Jordan | 2021 | Palestinian, rural and unhurried | English; some Hebrew dialogue | 92 min | Free with ads on Tubi and the Roku Channel |
| Theeb | ذيب (Dheeb) | Jordan | 2014 | Bedouin Hejazi, not modern Jordanian city speech | English; a little English dialogue | 100 min | Free on Kanopy and Hoopla; Film Movement Plus |
| Wadjda | وجدة | Saudi Arabia | 2012 | Saudi Najdi, Riyadh | English | 98 min | Free with ads on YouTube |
| Barakah Meets Barakah | بركة يقابل بركة (Baraka yuqabil Baraka) | Saudi Arabia | 2016 | Saudi Hejazi, Jeddah | English | 88 min | Netflix |
| Casablanca Beats | علي صوتك ('alli sawtak) | Morocco | 2021 | Moroccan Darija, the hardest here | English | 102 min | Free on Kanopy and Hoopla; rent from Amazon or Apple |
Six of these twelve are free on Kanopy, and Kanopy is free to you if you hold a public library card in the United States. Hoopla, another library service, carries Theeb, 200 Meters and Casablanca Beats. That is half the list at no cost and with no advertising, which is worth knowing before you rent anything. Platform listings here were checked in September 2026 for the United States, and streaming rights move constantly, so treat the last column as a starting point rather than a promise.
How we chose, and what we left out
One rule decided every row: we had to be able to name the dialect from the production itself, not guess it from the flag on the poster. A film shot in Nazareth with a Nazareth cast is Palestinian and we will say so. A pan-Arab co-production with actors from four countries speaking a flattened media register is not on this page, however good it is, because we cannot tell you what you would be practising.
Two more filters. The film had to be findable and subtitled in English from outside the Arab world, and we preferred runtimes under two hours, because a learner watching a film twice is really watching four hours and almost nobody finishes a 170-minute one twice.
Three things we deliberately left out.
The Message (1976) is not here. It is the obvious fusha film and it is a trap. Moustapha Akkad shot two versions at the same time with two different casts, a 178-minute English one led by Anthony Quinn and a 207-minute Arabic one led by Abdullah Gaith. The version that surfaces on streaming services and DVD shelves in the West is nearly always the English one, so learners sit down expecting classical Arabic and get Anthony Quinn. Even when you find the Arabic version, 207 minutes of seventh-century vocabulary is not a first film.
Caramel (Lebanon, 2007) is not here either, and this one hurts. It is warm, funny, set almost entirely in a Beirut salon, and the chat between the women in it is the most useful Lebanese conversation practice in any film we know. Checked in September 2026 it has no United States streaming option at all: not subscription, not rental, not purchase. A recommendation you cannot act on is not a recommendation. If you are outside the United States, look it up, because it is available in several other countries.
We also reject the whole "watch a Hollywood film with Arabic subtitles" approach, which is what half the search results for this topic are actually about. Reading Arabic text under English audio trains your reading speed and nothing else. Worse, the subtitles are written in fusha while the actors speak English, so you spend two hours pairing written Arabic with sounds that no Arabic speaker ever made.
What to watch first, and in what order
Watch films in order of how hard the speech is, not in order of how good the film is. The ladder below moves from slow two-person dialogue up to fast overlapping street speech, and you can climb it in your own dialect lane once you know which lane you are in.
- Yomeddine, your first film. Ninety-three minutes, and most of it is one man and one boy talking to each other while travelling. The vocabulary repeats, the pace is slow, and almost every line refers to something you can see on screen, which is the biggest help a beginner gets. It is Egyptian, so the listening transfers to more Arabic media than any other dialect would.
- Farha, if you are learning Levantine rather than Egyptian. Small cast, rural setting, long stretches of near silence, and Palestinian Arabic spoken without the speed of a city. A hard watch emotionally and an easy one linguistically.
- Wajib, once one film has stopped exhausting you. A father and son drive around Nazareth delivering wedding invitations and argue the whole way. Two voices, one car, full speed. This is where you stop being carried by the picture and have to follow the words.
- Capernaum, Cairo Station, Casablanca Beats, when you want to be beaten. Capernaum is Beirut slang from children who improvise. Cairo Station is 1958, so you get a dated register and 1950s sound recording on top of it. Casablanca Beats is Darija, and Darija humbles anyone who learned Arabic from an MSA textbook.
If you cannot get through the first fifteen minutes without pausing constantly, you are on the wrong rung. Drop back down. Nobody learns anything from a film they endured.
Picking films by the dialect you are studying
Pick the film to match the dialect you are already studying, and if you have not picked a dialect yet, do that before you pick a film. Which Arabic dialect to learn walks through that decision in about ten minutes and will save you a year.
The table leans heavily towards Egypt, and that is the industry rather than our taste. More than 4,000 films have been made in Egypt since 1896, and Cairo still turns out around three quarters of the Arab world's screen output. Saudi Arabia had no public cinemas at all for roughly 35 years, until the first one reopened in Riyadh on 18 April 2018. An Egyptian learner therefore has a century of films to work through and a Gulf learner has about a decade, which is why Gulf learners end up leaning on television instead.
Once you have chosen, the resource pages carry the courses and books that go with the watching. Egyptian is the widest net, and the three Egyptian films above pair with the Egyptian Arabic courses, books and dictionaries we recommend. Levantine splits by country here: three of these films are Palestinian, which points you at Palestinian Arabic courses and dialect guides, and two are Lebanese, which points you at Lebanese Arabic books, apps and audio. If you want the family as a whole rather than one country, use the Levantine Arabic resources covering Syrian, Lebanese, Jordanian and Palestinian speech. Gulf learners have Wadjda and Barakah Meets Barakah, which are Najdi and Hejazi and do not sound alike; Gulf Arabic resources explains the difference. Moroccan Arabic resources is where to go if Casablanca Beats did not put you off.
How to watch a film and actually learn from it
Two passes on a short section beat one pass on a whole film. Pick a ten-minute stretch, watch it with subtitles, then watch the same stretch again with the subtitles off. The second pass is where the learning happens, and it only works when the section is short enough that you still remember what was said.
Do not make a film your daily practice. A 126-minute feature is a weekend event, and the gap between weekends is where progress dies. Fill it with something you can finish in one sitting: Arabic series run longer and give you more hours per dialect once you want a whole world in one accent, and shorter Arabic listening you can do daily is what actually keeps the ear working between films.
Cartoons deserve a mention too, and not as a joke. They are slower than adult cinema, they repeat vocabulary heavily, and the dubbed ones are in fusha rather than dialect, which makes them a completely different exercise from everything on this page. Our full guide to Arabic cartoons, shows and films sets out which is which.
Frequently asked questions
What Arabic movies are on Netflix with English subtitles?
Netflix's Arabic catalogue is licensed country by country, so the answer changes with where your account is. Checked in the United States in September 2026, Barakah Meets Barakah (Saudi Arabia, 2016) is on Netflix with English subtitles, and Farha (Jordan, 2021) began there before spreading to free ad-supported services including Tubi and the Roku Channel. Netflix stocks a much larger Arabic catalogue in the Middle East and North Africa than it does in the United States, so an Egyptian title you read about on an Egyptian site may simply not appear in your account.
What movies on Netflix have Arabic subtitles?
Arabic subtitle tracks are attached per title rather than per catalogue, and Netflix's own originals carry them far more consistently than licensed third-party films do. Open a title, choose Audio and Subtitles, and Arabic appears in the list if the licence includes it. Netflix gives you no way to filter the catalogue by subtitle language, which is why no published list of Netflix films with Arabic subtitles stays accurate for more than a few months.
How can I get Arabic subtitles for movies?
On Netflix, Prime Video and Disney+ you take whatever subtitle tracks the licence includes and there is no way to add your own. For video files you own, OpenSubtitles carries Arabic tracks for most mainstream films and any player that reads .srt will load them. Be clear about what this buys you, though: reading Arabic subtitles under English dialogue trains your reading speed and teaches you nothing about how Arabic is spoken, because the subtitles are written in fusha while the audio is English.
Which Arabic movie should a beginner watch first?
Yomeddine (Egypt, 2018, 93 minutes). Most of the film is two characters talking to each other on a journey, so the dialogue is slow, narrow in vocabulary and tied to whatever is on screen. It is Egyptian Arabic, the dialect with the widest reach in the Arab world, and a United States public library card gets it free on Kanopy. Capernaum is the more famous Arabic film and the wrong place to start: Beirut street slang, spoken fast, mostly by children.
Are Arabic films in fusha or in dialect?
Almost always in dialect. Modern Standard Arabic is a written and broadcast register, and a feature film set in the present writes its characters speaking the way people in that country actually speak. An Egyptian film gives you Egyptian, a Lebanese film gives you Lebanese, and neither gives you the Arabic in your textbook. Fusha in cinema is mostly limited to historical and religious productions, such as the 1976 film The Message, which Moustapha Akkad shot as a 207-minute Arabic version with an Arab cast alongside a separate 178-minute English one.
